A Concerto is usually an exciting musical event for a virtuoso to show off their skills.

When Corelli published his Concerti Grossi Op 6, he essentially invented a new musical form – the idea of contrasting a solo Trio Sonata texture of two violins and cello with the grandeur of the full orchestra. 

Both Handel and Vivaldi quickly followed suit, publishing sets of Concerti Grossi in this new genre. Providence Baroque explores this delightful musical form in our opening concert, as well as showcasing rising countertenor Sam Higgins in a performance of Vivaldi’s moving Stabat Mater.  

Sam is a native of Massachusetts, and is currently completing his Master’s Degree at the Curtis Institute of Music in Philadelphia. He spent this summer at Aspen, coaching with Renee Flemming.